By the time Colour Collective rolled round with the gorgeous 'Kings Blue Light' for the 30th September, I had very little time to create anything. It was a week full of appointments and outings and tradesmen and guests - not to mention I had work to do at the same time! But I didn't want to sit Colour Collective out - I've never missed one! - so I threw this together:
I just worked up a bedtime sketch I had done earlier in the week. We'd been watching Granada Austen adaptations from the early 1970s, and they have such spectacular hairstyles that I was inspired to sketch ridiculous hair myself. Such subjects are excellent when you just want to wind down before heading to bed:
For Colour Collective I added a bit more body to one of the sketches, sketched in a bit of a balcony, and slapped on some quick colour. The whole thing took maybe two hours in Adobe Photoshop CC2015 on my Wacom Cintiq Companion 2.
I'd been trying to create more detailed Colour Collective illustrations while I didn't have too much work to do, but once my to-do list started to fill again, CC had to take a back seat. For the September 23 colour ('Orange') I went quick and sketchy, with a minimal background, but still had enough time to be ambitious enough to include two characters:
I featured the orange colour everywhere - there were so many opportunities to use it here! All in all, I quite like this piece for what it is - a quick illustration literally full of mistakes. But it's definitely something that can be filed away and maybe updated one day, as I like the concept.
Adobe Photoshop CC2015 on a Wacom Cintiq Companion 2. About 4.5 hours.
Here's another recently-completed pet portrait, this time of Dez the staffy, who has unfortunately shuffled off this mortal coil.
Here's my process, told mainly through photos taken with my phone and shared to my Instagram Story:
The commissioner had seen my Miss Bear portrait, and wanted a similar floral background. As Dez is such a black dog, I didn't think it would be sensible to have a black and white floral behind him, so we decided on green. I started off my sketching everything out in Photoshop. I didn't have a lot of photos to work from, but I combined several to get the best possible pose and expression. I sent this sketch to the commissioner to get her approval to move on before I started inking:
And then traced it onto Moleskine watercolour paper using Copic Multiliners. It was at this point that I added his tail. You couldn't see it in the photo I was using for his body pose, but I came to the conclusion that it looked a bit weird without any tail visible at all:
Once everything was inked, I started off by painting in the background in several shades of green watercolour:
And then at last it was time to paint Dez himself. It can be a bit unnerving, being stared at by a dog who's nose and eyes are not filled in!
It takes quite a few passes with the black Ecoline to get a really solidly black dog. There are about three layers of Ecoline, plus coloured pencil, all over Dez:
I added gilding as with Miss Bear, which really helped to warm everything up:
I sent a photo of the finished portrait to the commissioner, who expressed concerns that Dez wasn't black enough (the pitfalls of working from smartphone photography, you're never quite sure how realistic the colours are, and I'd erred more on the brindle side. However, that's what progress shots are for, no harm done)
So before she came and picked it up, I went over him again with black coloured pencil, and pushed the blacks as hard as I could without losing all sense of his shiny fur and the underlying muscles that a staffy has. I sent her another photo to check that she was happy once I'd done that:
Copic Multiliners, Winsor and Newton watercolours, Prismacolour pencils, Copic White and Cosmic Shimmer gilding flakes on Moleskine watercolour paper. 8 hours in total.
Here's another recently-completed pet-portrait - this time of a cat! I don't do many cats, my pet portraits tend to be a long line of dogs.
Miss Bear is a beautiful siamese. I was given a few photos to choose from, and chose a pose where she was sitting up straight and proud, as befits a siamese cat:
The background went through a couple of iterations. Apparently she likes to sit by the fire, and so the commissioner (who was commissioning a present for the friend than owns (or is that 'is owned by'?) Miss Bear) originally wanted her sitting on a hearth in front of a roaring fire.
Fire is pretty revolting to paint, so I wasn't exactly looking forward to that, but I was fully prepared to give her a cosy fire... and then I learned that the recipient is red-green colourblind. I did a bit of checking to find out exactly how red-green colourblind people see the world, and found that red appears, basically, yellow. This didn't bode well for painting a fire, where I would be exclusively using red, orange and yellow. I just didn't feel confident that I could paint a convincing fire that would work for a colourblind person, so I contacted the commissioner and suggested a different option - a black and white floral background inspired by the designs of William Morris - lots of nice contrast that would work well for a colourblind person, with a bit of gilding added in to catch the light and liven everything up. Siamese cats are so graphic themselves that I thought the background would work well. The commissioner liked that idea, so I went with that.
Here I'll collate some of the progress snaps I shared on Instagram, and my Instagram Story, as I worked:
I did the draft in Photoshop, on my Cintiq Companion 2 - it just made it much easier to work out the pattern, and repeat areas, without constantly worrying that I was filling in the wrong thing or drawing lines in the wrong place:
I printed out my digital draft and used my lightbox to trace it onto Moleskine Watercolour paper using Copic Multiliners:
Eventually I had everything inked:
I filled in the background with black Ecoline, while Miss Bear herself was painted in Winsor and Newton watercolours with details added in Prismacolour pencil:
The final stage was to add some gilding. I used Cosmic Shimmer Gilding Flakes in Autumn Leaves. This photo shows just how shiny the gilding flakes are:
Here's a video I took to show how I applied the gilding:
Finally, I created 15 greeting cards using the painting. They were too small to use this gilding technique, so I went over all the gilded areas with different coloured metallic gel pens - not as shiny, but better than nothing.
Copic Multiliners, Winsor and Newton watercolours, Prismacolour pencils and Cosmic Shimmer gilding flakes on Moleskine watercolour paper. Six and a half hours in total (not counting the cards).
